log table series
from Linteloo
log table series
Design Roderick Vos, 2006
Epoxy finished steel, solid oak
Made in Italy by Linteloo
The three dimensional CNC milled rings on the surface, added by Roderick Vos to the Log table series, add an extra natural beauty to the tables. Surprising yet natural detail for a table. The series includes side tables and coffee tables offered in various sizes.
Log table series features a table top with separate wooden parts and frame. The powder-coated steel frame has a textured, dark brown finish. The tops are offered in solid smoked oak (treated with linseed oil) or whitewashed oak (pigmented oils) or stained anthracite protected by a matte varnish. Color differences may occur.
Log I: 55.25" L | 55.25" w | 12.75" h
Log II: 47.25" L | 47.25" w | 12.75" h
Log III low: 31.5" L | 31.5" w | 12.75" h
Log III high: 31.5" L | 31.5" w | 14.75" h
Log IV low: 23.75" L | 23.75" w | 12.75" h
Log IV high: 23.75" L | 23.75" w | 14.75" h
Log V: 15.75" L | 15.75" w | 15.75" h
Epoxy finished steel, solid oak
Made in Italy by Linteloo
The three dimensional CNC milled rings on the surface, added by Roderick Vos to the Log table series, add an extra natural beauty to the tables. Surprising yet natural detail for a table. The series includes side tables and coffee tables offered in various sizes.
Log table series features a table top with separate wooden parts and frame. The powder-coated steel frame has a textured, dark brown finish. The tops are offered in solid smoked oak (treated with linseed oil) or whitewashed oak (pigmented oils) or stained anthracite protected by a matte varnish. Color differences may occur.
Log I: 55.25" L | 55.25" w | 12.75" h
Log II: 47.25" L | 47.25" w | 12.75" h
Log III low: 31.5" L | 31.5" w | 12.75" h
Log III high: 31.5" L | 31.5" w | 14.75" h
Log IV low: 23.75" L | 23.75" w | 12.75" h
Log IV high: 23.75" L | 23.75" w | 14.75" h
Log V: 15.75" L | 15.75" w | 15.75" h
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Linteloo started a brand that radiates "enjoying the good life" in every possible way. Raised by parents who owned a furniture store in The Netherlands, he had noticed the domination of minimalism in the early nineties. British and Italian design gurus were promoting an anonimous, almost sterile interior style in which practically anything personal should be hidden in cupboards, and anything "comfortable" was expelled to the bedroom.