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designers a-f
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- colombo, joe
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- franck, kaj
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designers g-m
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- giacon, massimo
- giovannoni, s.
- girard, alexander
- gismondi, ernesto
- graves, michael
- gray, eileen
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- grossman, greta
- haberli, alfredo
- harcourt, geoffrey
- hayon, jaime
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- kastholm & fabricius
- kjaer, bodil
- kjaerholm, poul
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- laviani, f.
- levy, arik
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- lovegrove, ross
- magistretti, v.
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- mategot, mathieu
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designers n-z
- nakashima, george
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- ozdemir & caglar
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- papavoine, gijs
- paulin, pierre
- pfeiffer, eric
- platner, warren
- pollock, charles
- pot, bertjan
- prouve, jean
- rashid, karim
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- starck, philippe
- studio 65
- tapiovaara, ilmari
- toikka, oiva
- urquiola, patricia
- van der kley, m.
- vautrin, ionna
- vignelli, massimo
- wanders, marcel
- wegner, hans
- yanagi, sori
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designers a-f
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- qs

Trained cabinet-maker Preben Fabricius met blacksmith Jorgen Kastholm at the School for Interior Design and found a common approach to furniture design - never wanting to compromise on aesthetics. In 1961, the pair set up a design studio in a Gentofte cellar without any firm arrangements with manufacturers, but by ‘65 they had secured a lucrative deal with German furniture manufacturer Alfred Kill. The next year, their international breakthrough came at the Cologne Fair with a whole series of office and home furniture, leading to orders from ten large furniture concerns. Among their most successful works were the Tulip Chair, Grasshopper Chair, and Scimitar Chair, which highlighted their style of minimalist designs, both attractive and comfortable, usually in steel and leather. The pieces of furniture they produced during their seven-year period of cooperation from 1961 to 1968 were so distinctive that many are still produced today as classics.