For over two decades, the Vitra Design Museum has been making miniature replicas of milestones in furniture design. The Miniatures Collection encapsulates the entire history of industrial furniture design - moving from Historicism and Art Nouveau to the New Objectivity of Bauhaus and Radical Design, and from Postmodernism all the way up to the present day. Exactly one sixth of the size of the historical originals, the chairs are all true to scale and precisely recreate the smallest details of construction, material and color. The high standard of authenticity even extends to the natural grain of the wood, the reproduction of screws and the elaborate handicraft techniques involved. This has made the miniatures into popular collector's items as well as ideal illustrative material for universities, design schools and architects.

The Fiberglass Chairs are rare examples of a satisfying synthesis of formal and technical innovation. For the first time in the history of design, Charles and Ray Eames utilized the unlimited malleability of plastic for the development of a comfortable seating shell that corresponds to the shape of the human body. The idea of making a three-dimensional molded shell goes back to a design from 1940. The original attempt to make the shell out of plywood was unsuccessful, however, due to the extreme conditions necessary to mold the material. Only with the advent of fiberglass technology was it possible to achieve satisfying results. The first Fiberglass Chair went into production in 1950.

After years of experimentation, Charles and Ray Eames were able to realize their goal: an industrially produced chair that is inexpensive, sturdy, and comfortable. The Fiberglass Chairs come in several versions: with an A-shaped shell (armchair) or S-shaped shell (side chair) and on different bases, one of which is the famous Eiffel Tower base. Until 1968, Herman Miller also produced a rocking chair base. Every Herman Miller employee who expected a baby received it as a gift until 1984.

Each Vitra miniature is true to the original in construction and materials, and reduced in size on a scale of 1:6. Each miniature is packaged in a wooden box, accompanied by an informational booklet. Production notes: Each of the delicate objects are made by hand; on average, each miniature requires five hours of careful manual work. Ongoing quality control ensures that every miniature corresponds to its larger original in terms of finishing, details and materials.