Considered one of the most famous symbols of Danish furniture design, the CH24 is also known as the Wishbone Chair. Globally admired, its elegant, curved frame is often spotted in the world's best restaurants and hotels as well as in private homes all over the world.

Wegner designed a series of chairs inspired by the thrones of Chinese Emperors. The 1949 CH24 chair is the most recent and precise example of this inspiration. The chair became known as the "Wishbone" thanks to its Y-shaped back that not only supports the backrest, but is also comfortable yet minimal. The antithesis of the rigid, heavy backrests of traditional dining chairs.

It has been in continuous production at Carl Hansen & Søn since 1950, coveted by generations for its simplicity, organic shape and timelessness. Seemingly, the universal appeal of the Wishbone Chair is its ability to become part of any home, anywhere. The combination of solid wood and the hand-woven paper cord seat is a physical manifestation of Carl Hansen & Søn's philosophy: the finest craftsmanship and quality materials imbued with a unique story. Through his studies and early exploration, Wegner had already begun establishing a reputation as a visionary, always placing the utmost importance on form and comfort.

Holger Hansen, Carl Hansen's son, kept a close eye on Wegner throughout the 1940s, knowing that a collaboration with a young furniture designer would have great potential for the expansion of the business. Wegner, keen to focus on both chair design and bringing his work to a wider audience, agreed to the partnership in 1949 and began to work on proposals for new designs immediately. In his first three weeks at Carl Hansen & Søn, Wegner crafted his first four test chairs in collaboration with the company's cabinetmakers; chairs that went on to become icons of modern Danish design, manufactured using advanced production techniques, complex woven seat constructions and solid, light-colored woods. The CH22, CH23, CH24 and CH25 all share the same fundamental Wegner DNA, but especially in the case of the CH24 (the iconic Wishbone Chair) have gained great popularity with time.

Hans Wegner was a cabinetmaker first and a designer second and he had both a persistent curiosity about the potential of materials and a deep respect for wood and its character. Each of his designs reflect his understanding of wood as an organic material, its character and its potential. His experimentation in this area allowed him to exploit the unique characteristics and properties of different woods or highlight particular craftsmanship details in decorative ways.