remix 3 - Audo (1)
Design, Giulio Ridolfo for Kvadrat Textiles
90% new wool worsted, 10% nylon, 100,000 Martindale
Remix 3 is an elegant upholstery textile distinguished by exceptional depth of color, designed by Giulio Ridolfo. It comes in 23 new hues, adding to an already expansive palette which now offers a total of 72 sophisticated colorways. Remix 3 looks unicolored from a distance but reveals subtle details and color contrasts when viewed close-up. The textile features a tight, minimalistic weave, and derives its lively color play from a combination of two different mélange yarns, which each combine up to three hues. The new colors, carefully selected from 2600 samples, are inspired by an extensive study of traditional Indigo dyeing undertaken by Giulio Ridolfo on his travels. Centered around deep combinations of blues and rich natural reds, they also include subtly colored neutrals.
90% new wool worsted, 10% nylon, 100,000 Martindale
Remix 3 is an elegant upholstery textile distinguished by exceptional depth of color, designed by Giulio Ridolfo. It comes in 23 new hues, adding to an already expansive palette which now offers a total of 72 sophisticated colorways. Remix 3 looks unicolored from a distance but reveals subtle details and color contrasts when viewed close-up. The textile features a tight, minimalistic weave, and derives its lively color play from a combination of two different mélange yarns, which each combine up to three hues. The new colors, carefully selected from 2600 samples, are inspired by an extensive study of traditional Indigo dyeing undertaken by Giulio Ridolfo on his travels. Centered around deep combinations of blues and rich natural reds, they also include subtly colored neutrals.
re-wool - Audo (1)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
fiord 2 - Audo (2)
Design, Sigvardt & Barnung for Kvadrat
92% new worsted wool, 8% nylon, 60,000 Martindale
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colors created in collaboration with Louise Sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
92% new worsted wool, 8% nylon, 60,000 Martindale
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colors created in collaboration with Louise Sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
hallingdal 65 - Audo (2)
Design, Nanna Ditzel for Kvadrat Textiles, 1965
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
steelcut 3 - Audo (2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
steelcut trio 3 - Audo (2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
dakar leather - Audo (5)
Nevotex
Chrome-tanned hide.
Dakar is a chromium and vacuum-tanned full-inherited animal leather with wax on top. This finish gives the leather a sporty and classic look with an unbelievable soft touch that adds a harmonious look to the leather.
Chrome-tanned hide.
Dakar is a chromium and vacuum-tanned full-inherited animal leather with wax on top. This finish gives the leather a sporty and classic look with an unbelievable soft touch that adds a harmonious look to the leather.
dunes leather - Audo (6)
Sørensen Leather
Aniline-dyed hide
Dunes is an exclusive Aniline leather with a natural, rustic look and a sublime, almost velvety tactile feel. Achieved via a process of sanding and applying a special type of leather oil to the surface. At the same time, Dunes boasts a matte look that’s raw with a touch of understated elegance. Part of Dunes' extra appeal are the natural markings which bring a unique personality to each hide. Color tones will also vary from hide to hide and within each individual hide. Watch for a beautiful patina that will appear over time as a result of the leather’s usage, exposure to daylight and interior lighting. With use, the leather will become shinier and smoother over time.
Aniline-dyed hide
Dunes is an exclusive Aniline leather with a natural, rustic look and a sublime, almost velvety tactile feel. Achieved via a process of sanding and applying a special type of leather oil to the surface. At the same time, Dunes boasts a matte look that’s raw with a touch of understated elegance. Part of Dunes' extra appeal are the natural markings which bring a unique personality to each hide. Color tones will also vary from hide to hide and within each individual hide. Watch for a beautiful patina that will appear over time as a result of the leather’s usage, exposure to daylight and interior lighting. With use, the leather will become shinier and smoother over time.
upholstery Elizabeth Lounge Chair
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