re-wool - Erik Jorgensen (FG1)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale

Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
mode - Erik Jorgensen (FG1)
Maharam
80% post-consumer recycled polyester, 20% polyester, 100,000 Wyzenbeek
clay - Erik Jorgensen (FG2)
Design, Vincent Van Duysen for Sahco
76% linen, 21% cotton, 3% polyester, 45,000 Martindale

Bringing together both natural beauty and a sense of finesse, the creative team have mixed colors of yarn in warp and weft to create an elegant yet casual fabric. The result has a unique structured surface that adds and extra dimension to any interior design scheme. With a back cloth that gives extra stability, Clay is perfect for upholstering furniture. The colors are inspired by the designer’s love of both art and interiors and include cool shades of cement, blue, and salvia but also the natural shades of wood and clay.
hallingdal 65 - Erik Jorgensen (FG2)
Design, Nanna Ditzel for Kvadrat Textiles, 1965
70% new wool, 30% viscose, 100,000 Martindale

Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
steelcut 2 - Erik Jorgensen (FG2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale

Steelcut 2 is a hardwearing upholstery textile, which is an evolution of Steelcut in an additional colour scale. It is designed by Frans Dijkmeijer and coloured by Giulio Ridolfo. The fabric features an innovative weave, which creates a three-dimensional surface resembling small pyramids or steel points. This gives Steelcut 2 a simple, precise expression, despite the complex weaving technique used in its production.
steelcut trio 3 - Erik Jorgensen (FG2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale

Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as Steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of Steelcut Trio resembles small pyramids or steel points. Despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
tonus 4 - Erik Jorgensen (FG2)
Design, Nina Koppel for Kvadrat
90% new wool, 10% Helanca, 100,000 Martindale

Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
divina 3 - Erik Jorgensen (FG3)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale

Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being coloured. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
divina MD - Erik Jorgensen (FG3)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale

Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colours, which reveal hidden depths as the perspective of the viewer changes, it makes a strong colour statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colourways, which are all crafted from a blend of different tones, appear unicoloured from a distance, but reveal different colour nuances under closer examination.
divina melange - Erik Jorgensen (FG3)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale

Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. Compact, comfortable and extremely smooth, Divina Melange 3 expresses colours and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. This milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s colour palette perfectly reflects Finn Sködt’s pure aesthetic. The new colour scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favourite ultramarine, together with chalky notes and neutral shades.
vidar 4 - Erik Jorgensen (FG3)
Design, Fanny Aronsen & Raf Simons for Kvadrat Textiles
94% new wool, 6% nylon

Welcoming, sensuous and high performing, this tightly-woven and evenly-distributed woolen bouclé designed by Fanny Aronsen for Kvadrat has a stunning color palette to offer that have been reimagined by Raf Simons. Vidar’s gentle, satin-like surface is contrasted by deep undertones, achieving richness and intensity from the nature-inspired colors. With a softness that contrasts its durability and a manifold of shades to choose from, Vidar is interior designers’ first choice in many professional settings.
safire - Erik Jorgensen (FG4)
Sahco Fabrics
43% viscose, 17% polyacrylic, 15% new wool, 9% cotton, 8% linen, 8% polyester, 44,000 Martindale

Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. The color palette includes both quiet natural shades and strong, bold combinations.
karakorum - Erik Jorgensen (FG5)
Dedar Textiles
42% wool, 33% viscose, 24% cotton, 1% nylon, 40,000 Martindale

Inspired by the look and feel of astrakhan furs, this bouclé by Dedar intertwines wool and viscose to give a rich and indulgent fabric that is soft and bulky to the touch. The texture of loops and curls makes Karakorum ideal for curvaceous sofas and chairs, and is designed to handle intensive daily use with ease.
pebble wool - Erik Jorgensen (FG5)
Maharam
90% Wool, 10% Nylon, 50,000 Martindale
primo leather - Erik Jorgensen (LG1)
A classic full-grain semi-aniline leather with a characterful surface structure, made from the best bull hides. Thanks to a precise protective layer, the leather retains a comfortable touch with good breathability, while being durable in use. European raw hides from Scandanvia and South Germany, chrome tanned in Italy. Blaue Engel Eco-Label.
max leather - Erik Jorgensen (LG2)
This luxurious full-grain aniline leather has a pleasant touch and a natural open-pored texture. The leather is highly breathable and comfortable with a smooth surface and tight structure giving the leather a sophisticated elegance. Max is made from the absolute top selection bull hides with discrete visible marks of animal life and an honest natural surface. European raw hides, chrome then vegetable tanned in Italy. Blaue Engel Eco-Label.
vegeta natural leather - Erik Jorgensen (LG3)
A serene, uncolored leather with a refined touch. This leather is produced from the absolute top selection of hides. Discrete marks of animal life demonstrate the material’s authentic origin. Vegeta has a natural open-pored texture, making the leather highly breathable. With no protective layer, Vegeta is sensible in use. The leather acquires a unique patina and darkens over time. European raw hides, fully vegetable tanned in Italy. Blaue Engel Eco-Label.
nubuck leather - Erik Jorgensen (LG3)
Nubuck is a nubuck leather with a warm and charming look, made from the finest European bull hides. A full-grain aniline hide has been lightly sanded to obtain an exclusive matte effect. The velvety soft touch of this nubuck leather is unparalleled by any other article. European raw hides, chrome tanned with Scotchguard protection in Italy. Blaue Engel Eco-Label.
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