christianshavn - Fritz Hansen (0)
Fritz Hansen
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
fame - Fritz Hansen (1)
Design, Mette Mikkelsen for Gabriel
95% new zealand wool, 5% polyamide, 200,000 Martindale
Fame is a unique woollen upholstery fabric with a very high wearability, but which is nevertheless extra soft and stretchable. The fabric is silky smooth thanks to its exclusive fine woollen worsted, a finer wool than is generally seen on the contract market, but assured of outstanding durability via new yarn structures and spinning methods. Fame possesses unique upholstering properties. The fabric stretches 9.5% in both directions. Perfect upholstering is therefore easier with Fame, even on furniture with round and organic forms.
95% new zealand wool, 5% polyamide, 200,000 Martindale
Fame is a unique woollen upholstery fabric with a very high wearability, but which is nevertheless extra soft and stretchable. The fabric is silky smooth thanks to its exclusive fine woollen worsted, a finer wool than is generally seen on the contract market, but assured of outstanding durability via new yarn structures and spinning methods. Fame possesses unique upholstering properties. The fabric stretches 9.5% in both directions. Perfect upholstering is therefore easier with Fame, even on furniture with round and organic forms.
tonus 4 - Fritz Hansen (1)
Design, Nina Koppel for Kvadrat
90% new wool, 10% helanca, 100,000 martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
90% new wool, 10% helanca, 100,000 martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
divina 3 - Fritz Hansen (2)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
100% new wool, 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
divina MD - Fritz Hansen (2)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
100% new wool, 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
divina melange - Fritz Hansen (2)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. this milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
100% new wool, 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. this milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
fiord 2 - Fritz Hansen (2)
Design, Sigvardt & Barnung for Kvadrat
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by norwegian designer tone barnung, it comes in refreshed colors created in collaboration with louise sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by norwegian designer tone barnung, it comes in refreshed colors created in collaboration with louise sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
hallingdal 65 - Fritz Hansen (2)
Design, Nana Ditzel for Kvadrat
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
re-wool - Fritz Hansen (2)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
safire - Fritz Hansen (2)
Sahco Fabrics
43% viscose, 17% polyacrylic, 15% new wool, 9% cotton, 8% linen, 8% polyester, 44,000 Martindale
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. The color palette includes both quiet natural shades and strong, bold combinations.
43% viscose, 17% polyacrylic, 15% new wool, 9% cotton, 8% linen, 8% polyester, 44,000 Martindale
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. The color palette includes both quiet natural shades and strong, bold combinations.
steelcut 3 - Fritz Hansen (2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
steelcut trio 3 - Fritz Hansen (2)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
sunniva 3 - Fritz Hansen (2)
Design, Raf Simons & Fanny Aronsen for Kvadrat
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester. 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester. 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
vidar 4 - Fritz Hansen (2)
Design, Fanny Aronsen & Raf Simons for Kvadrat Textiles
94% new wool, 6% nylon - 100,000 Martindale
Welcoming, sensuous and high performing, this tightly-woven and evenly-distributed woolen bouclé designed by Fanny Aronsen for Kvadrat has a stunning color palette to offer that have been reimagined by Raf Simons. Vidar’s gentle, satin-like surface is contrasted by deep undertones, achieving richness and intensity from the nature-inspired colors. With a softness that contrasts its durability and a manifold of shades to choose from, Vidar is interior designers’ first choice in many professional settings.
94% new wool, 6% nylon - 100,000 Martindale
Welcoming, sensuous and high performing, this tightly-woven and evenly-distributed woolen bouclé designed by Fanny Aronsen for Kvadrat has a stunning color palette to offer that have been reimagined by Raf Simons. Vidar’s gentle, satin-like surface is contrasted by deep undertones, achieving richness and intensity from the nature-inspired colors. With a softness that contrasts its durability and a manifold of shades to choose from, Vidar is interior designers’ first choice in many professional settings.
raas - Fritz Hansen (3)
Design, Doshi Levien for Kvadrat
92% new worsted wool, 8% nylon - 100,000 Martindale
Raas combines two voluminous unicolored yarns: a regular yarn in the weft and an irregularly textured slub yarn in the warp. This gives it a tactile, lively surface that has a bouclé feel and the cool touch of linen. Raas is densely woven with a precise gridded expression that is balanced by the slight irregularity of a slub yarn. To realize their vision, Doshi Levien mixed more than 100 gouache colors by hand, then hand-painted them onto samples. These were used as reference in production to dye the yarn with great accuracy – resulting in sophisticated, elegant colors that cannot be found in any existing color systems.
92% new worsted wool, 8% nylon - 100,000 Martindale
Raas combines two voluminous unicolored yarns: a regular yarn in the weft and an irregularly textured slub yarn in the warp. This gives it a tactile, lively surface that has a bouclé feel and the cool touch of linen. Raas is densely woven with a precise gridded expression that is balanced by the slight irregularity of a slub yarn. To realize their vision, Doshi Levien mixed more than 100 gouache colors by hand, then hand-painted them onto samples. These were used as reference in production to dye the yarn with great accuracy – resulting in sophisticated, elegant colors that cannot be found in any existing color systems.
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