Model 57 Sofa - preselected split-upholstery options
Model 57 Sofa with contrasting back & side cushions. Additional color and fabric/leather options are available to order, please contact Hive for assistance configuring.
main line flax - HOFJ (F1)
Camira Fabrics
75% pure new wool, 25% flax - 100,000+ Wyzenbeek
A beloved Camira textile, Main Line Flax is made from the best nature has to offer. A blend of pure wool and harvested flax creates this multi-tonal, inherently flame-retardant fabric. Main Line Flax meets the ACT voluntary Performance Guidelines and is classified for Heavy Duty Upholstery.
75% pure new wool, 25% flax - 100,000+ Wyzenbeek
A beloved Camira textile, Main Line Flax is made from the best nature has to offer. A blend of pure wool and harvested flax creates this multi-tonal, inherently flame-retardant fabric. Main Line Flax meets the ACT voluntary Performance Guidelines and is classified for Heavy Duty Upholstery.
mood - HOFJ (F1)
Gabriel
92% new wool, 8% polyamide - 100,000 Martindale
Mood is an exclusive woollen upholstery fabric woven from multi-hued yarns. The blend of tone-in-tone shades creates subtle fluctuations in color and adds depth, movement and life to the fabric surface. Mood elegantly fuses an all-natural vibe with a distinct urban note and offers a contemporary take on the classic wool texture. Soft to the touch and with a rustic, ruffled surface, Mood brings nature inside and adds comfort, warmth and a homey feel to a variety of interiors.
92% new wool, 8% polyamide - 100,000 Martindale
Mood is an exclusive woollen upholstery fabric woven from multi-hued yarns. The blend of tone-in-tone shades creates subtle fluctuations in color and adds depth, movement and life to the fabric surface. Mood elegantly fuses an all-natural vibe with a distinct urban note and offers a contemporary take on the classic wool texture. Soft to the touch and with a rustic, ruffled surface, Mood brings nature inside and adds comfort, warmth and a homey feel to a variety of interiors.
remix 3 - HOFJ (F1)
Design, Giulio Ridolfo for Kvadrat Textiles
90% new wool worsted, 10% nylon - 100,000 Martindale
Remix 3 is an elegant upholstery textile distinguished by exceptional depth of color, designed by Giulio Ridolfo. It comes in 23 new hues, adding to an already expansive palette which now offers a total of 72 sophisticated colorways. Remix 3 looks unicolored from a distance but reveals subtle details and color contrasts when viewed close-up. The textile features a tight, minimalistic weave, and derives its lively color play from a combination of two different mélange yarns, which each combine up to three hues. The new colors, carefully selected from 2600 samples, are inspired by an extensive study of traditional Indigo dyeing undertaken by Giulio Ridolfo on his travels. Centered around deep combinations of blues and rich natural reds, they also include subtly colored neutrals.
90% new wool worsted, 10% nylon - 100,000 Martindale
Remix 3 is an elegant upholstery textile distinguished by exceptional depth of color, designed by Giulio Ridolfo. It comes in 23 new hues, adding to an already expansive palette which now offers a total of 72 sophisticated colorways. Remix 3 looks unicolored from a distance but reveals subtle details and color contrasts when viewed close-up. The textile features a tight, minimalistic weave, and derives its lively color play from a combination of two different mélange yarns, which each combine up to three hues. The new colors, carefully selected from 2600 samples, are inspired by an extensive study of traditional Indigo dyeing undertaken by Giulio Ridolfo on his travels. Centered around deep combinations of blues and rich natural reds, they also include subtly colored neutrals.
re-wool - HOFJ (F1)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon - 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat's yarn spinners in the UK. 'The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat's own production', explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon - 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat's yarn spinners in the UK. 'The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat's own production', explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
canvas 2 - HOFJ (F2)
Design, Giulio Ridolfo for Kvadrat
90% new worsted wool, 10% nylon - 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colors, with six hues in every colorway. Consequently, the textile offers exceptional color richness and an intriguing expression. From a distance, it has the calm surface of a unicolored textile. But, get closer, and shimmering color nuances, delicate contrasts and an elegant structure emerge.
90% new worsted wool, 10% nylon - 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colors, with six hues in every colorway. Consequently, the textile offers exceptional color richness and an intriguing expression. From a distance, it has the calm surface of a unicolored textile. But, get closer, and shimmering color nuances, delicate contrasts and an elegant structure emerge.
fiord 2 - HOFJ (F2)
Design, Sigvardt & Barnung for Kvadrat
92% new worsted wool, 8% nylon - 60,000 Martindale
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colors created in collaboration with Louise Sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
92% new worsted wool, 8% nylon - 60,000 Martindale
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colors created in collaboration with Louise Sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
hallingdal 65 - HOFJ (F2)
Design, Nanna Ditzel for Kvadrat Textiles, 1965
70% new wool, 30% viscose - 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose - 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
rami - HOFJ (F2)
Design, Eva Larsson for Ludvig-Svensson
80% wool, 20& ramie - 70,000 Martindale
Rami is the combination of the natural bast fibers wool and ramie. Ramie fibre is one of the oldest known natural fibers and has been found in the shrouds used to wrap Egyptian mummies. The plant, which has natural antibacterial and flame-retardant properties, is also known as China grass and is related to the nettle family. Both the ramie fibre and wool have excellent moisture-absorbing properties, particularly suitable for environments that are prone to static electricity problems. Mixing the matte wool yarn with the shimmering ramie fibre creates an exciting combination. The two different yarns result in an irregular surface full of slubs and tonal color variation which read as natural characteristic irregularities. The yarns absorb color dye differently, offering the fabric luster, depth and life. Any irregularities are a natural characteristic of the fabric.
80% wool, 20& ramie - 70,000 Martindale
Rami is the combination of the natural bast fibers wool and ramie. Ramie fibre is one of the oldest known natural fibers and has been found in the shrouds used to wrap Egyptian mummies. The plant, which has natural antibacterial and flame-retardant properties, is also known as China grass and is related to the nettle family. Both the ramie fibre and wool have excellent moisture-absorbing properties, particularly suitable for environments that are prone to static electricity problems. Mixing the matte wool yarn with the shimmering ramie fibre creates an exciting combination. The two different yarns result in an irregular surface full of slubs and tonal color variation which read as natural characteristic irregularities. The yarns absorb color dye differently, offering the fabric luster, depth and life. Any irregularities are a natural characteristic of the fabric.
acca - HOFJ (F3)
Sahco
35% viscose, 33% recycled cotton, 25% recycled polyester, 7% recycled polyacrylic - 50,000 Martindale
Dense and textured yet lively from the shiny viscose bouclé yarn, Acca is a sibling to Acca Stripe with the same dissolved character in its nubbly surface and an extended color palette. The exclusive bouclé yarn is twisted and tightly looped, its shinier finish a contrast to matte recycled cotton in the weft. Solid colors include the canvas, grey and tobacco of Acca Stripe, complemented by acid green, chocolate brown and black.
35% viscose, 33% recycled cotton, 25% recycled polyester, 7% recycled polyacrylic - 50,000 Martindale
Dense and textured yet lively from the shiny viscose bouclé yarn, Acca is a sibling to Acca Stripe with the same dissolved character in its nubbly surface and an extended color palette. The exclusive bouclé yarn is twisted and tightly looped, its shinier finish a contrast to matte recycled cotton in the weft. Solid colors include the canvas, grey and tobacco of Acca Stripe, complemented by acid green, chocolate brown and black.
acca stripe - HOFJ (F3)
Sahco
35% viscose, 33% recycled cotton, 25% recycled polyester, 7% recycled polyacrylic - 50,000 Martindale
Dense and textured yet lively from the shiny viscose bouclé yarn, Acca Stripe, has subtly irregular tonal stripes dissolved in its nubbly surface. The exclusive bouclé yarn is twisted and tightly looped, its shinier finish a contrast to matte recycled cotton in the weft. Colored in muted contrasts of white and calico, rusty brown, tomato red and turquoise blue.
35% viscose, 33% recycled cotton, 25% recycled polyester, 7% recycled polyacrylic - 50,000 Martindale
Dense and textured yet lively from the shiny viscose bouclé yarn, Acca Stripe, has subtly irregular tonal stripes dissolved in its nubbly surface. The exclusive bouclé yarn is twisted and tightly looped, its shinier finish a contrast to matte recycled cotton in the weft. Colored in muted contrasts of white and calico, rusty brown, tomato red and turquoise blue.
clay - HOFJ (F3)
Design, Vincent Van Duysen for Sahco
76% linen, 21% cotton, 3% polyester - 45,000 Martindale
Bringing together both natural beauty and a sense of finesse, the creative team have mixed colors of yarn in warp and weft to create an elegant yet casual fabric. The result has a unique structured surface that adds and extra dimension to any interior design scheme. With a back cloth that gives extra stability, Clay is perfect for upholstering furniture. The colors are inspired by the designer’s love of both art and interiors and include cool shades of cement, blue, and salvia but also the natural shades of wood and clay.
76% linen, 21% cotton, 3% polyester - 45,000 Martindale
Bringing together both natural beauty and a sense of finesse, the creative team have mixed colors of yarn in warp and weft to create an elegant yet casual fabric. The result has a unique structured surface that adds and extra dimension to any interior design scheme. With a back cloth that gives extra stability, Clay is perfect for upholstering furniture. The colors are inspired by the designer’s love of both art and interiors and include cool shades of cement, blue, and salvia but also the natural shades of wood and clay.
moss - HOFJ (F3)
Design, Vincent van Duysen and Anna Vilhelmine Ebbesen for Sahco
52% cotton, 22% viscose, 14% polyacrylic, 6% linen, 3% polyester, 3% nylon - 50,000 Martindale
The second design by Vincent van Duysen and Anna Vilhelmine Ebbesen is the distinctive upholstery fabric Moss. The mixture of twisted yarn and chenille gives the fabric surface a textured structure with an appearance of movement, and also creates a soft handle which adds a special dimension to the furniture it covers. The twenty-two colorways are either one- or two-tone combinations inspired by Vincent van Duysen’s own home and range from cool cement and soft blue to oily green, curry yellow and the shades of natural wood.
52% cotton, 22% viscose, 14% polyacrylic, 6% linen, 3% polyester, 3% nylon - 50,000 Martindale
The second design by Vincent van Duysen and Anna Vilhelmine Ebbesen is the distinctive upholstery fabric Moss. The mixture of twisted yarn and chenille gives the fabric surface a textured structure with an appearance of movement, and also creates a soft handle which adds a special dimension to the furniture it covers. The twenty-two colorways are either one- or two-tone combinations inspired by Vincent van Duysen’s own home and range from cool cement and soft blue to oily green, curry yellow and the shades of natural wood.
sunniva 3 - HOFJ (F3)
Design, Raf Simons & Fanny Aronsen for Kvadrat
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester - 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester - 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
tonica 2 - HOFJ (F3)
Design, Georgina Wright for Kvadrat
100% new wool - 45,000 Martindale
Tonica 2 is a woollen melange upholstery textile characterized by exceptional color richness. It comes in an updated palette of 39 colorways of which 24 are new. Whereas the original Tonica was based on two piece-dyed wool qualities, Tonica 2 now comprises three. This allows for a greater variety of tones and an even more nuanced expression of colors.
100% new wool - 45,000 Martindale
Tonica 2 is a woollen melange upholstery textile characterized by exceptional color richness. It comes in an updated palette of 39 colorways of which 24 are new. Whereas the original Tonica was based on two piece-dyed wool qualities, Tonica 2 now comprises three. This allows for a greater variety of tones and an even more nuanced expression of colors.
tonus 4 - HOFJ (F3)
Design, Nina Koppel for Kvadrat
90% new wool, 10% helanca - 100,000 Martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
90% new wool, 10% helanca - 100,000 Martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
watercolor - HOFJ (F3)
Design, Lykke Bloch Kjær for Kjellerup-Væveri
75% wool, 25% cotton - 56,000 Martindale
In collaboration with the Danish weaver, Kjellerup Væveri (Kjellerup Weavers), House of Finn Juhl has created a collection of textiles, comprised of 32 colors in wool and cotton. The collection takes its point of departure in the original watercolors by Finn Juhl. It is designed by textile designer Lykke Bloch Kjær and the textiles are woven at Kjellerup Væveri in Denmark.
75% wool, 25% cotton - 56,000 Martindale
In collaboration with the Danish weaver, Kjellerup Væveri (Kjellerup Weavers), House of Finn Juhl has created a collection of textiles, comprised of 32 colors in wool and cotton. The collection takes its point of departure in the original watercolors by Finn Juhl. It is designed by textile designer Lykke Bloch Kjær and the textiles are woven at Kjellerup Væveri in Denmark.
balder 3 - HOFJ (F4)
Design, Fanny Aronsen for Kvadrat
68% wool, 6% nylon, 26% cotton - 100,000 Martindale
The subtly variegated colors of Balder bring an inviting softness to upholstered furniture. Originally designed by Fanny Aronsen and re-colored by Raf Simons, Balder is woven from several different tones of thread in an apparently irregular weave pattern that creates subtle fluctuations in color across the surface of the fabric. Ranging from fresh and directional to reassuringly classic and rich, the key colorways of Balder are based around greens, greys, purples, pinks and yellow. In some instances the base color is combined with a top note color (in one a pink is woven together with a vibrant orange, in another with a vibrant green) with refreshing, but surprisingly understated results.
68% wool, 6% nylon, 26% cotton - 100,000 Martindale
The subtly variegated colors of Balder bring an inviting softness to upholstered furniture. Originally designed by Fanny Aronsen and re-colored by Raf Simons, Balder is woven from several different tones of thread in an apparently irregular weave pattern that creates subtle fluctuations in color across the surface of the fabric. Ranging from fresh and directional to reassuringly classic and rich, the key colorways of Balder are based around greens, greys, purples, pinks and yellow. In some instances the base color is combined with a top note color (in one a pink is woven together with a vibrant orange, in another with a vibrant green) with refreshing, but surprisingly understated results.
base - HOFJ (F4)
Sahco
32% polyacrylic, 32% new wool, 30% cotton, 6% nylon - 35,000 Martindale
Sturdy upholstery fabric with wool.
32% polyacrylic, 32% new wool, 30% cotton, 6% nylon - 35,000 Martindale
Sturdy upholstery fabric with wool.
cifrado - HOFJ (F4)
Sahco
42% recycled polyester 27% viscose 24% recycled cotton 7% linen - 30,000 Martindale
A heavyweight chenille, Cifrado has the soft reassurance of something well-worn and the characteristics of a heavy-duty upholstery textile. Tumble-finished to achieve this lived-in effect, it is technically innovative: combining chenille and twisted cotton with a double warp of twisted linen and viscose and a high percentage of recycled yarns. From muted greys, ivory and lemon vanilla to Bangkok magenta, dusky rose, tobacco melange, petrol blue and inky black.
42% recycled polyester 27% viscose 24% recycled cotton 7% linen - 30,000 Martindale
A heavyweight chenille, Cifrado has the soft reassurance of something well-worn and the characteristics of a heavy-duty upholstery textile. Tumble-finished to achieve this lived-in effect, it is technically innovative: combining chenille and twisted cotton with a double warp of twisted linen and viscose and a high percentage of recycled yarns. From muted greys, ivory and lemon vanilla to Bangkok magenta, dusky rose, tobacco melange, petrol blue and inky black.
coda 2 - HOFJ (F4)
Design, Norway Says & Per Bjørnsen for Kvadrat
90% new wool 10% nylon - 100,000 Martindale
Coda 2 combines a graphic, textured surface and sophisticated colors to very lively effect: from a distance it appears monochrome, but when seen from closer up it reveals a second color. Made from wool, Coda is woven in two layers, with each in a different color: it is the hue of the base layer that is surprisingly revealed as the viewer approaches the textile. This distinctive construction also serves to accentuate the three-dimensional character of the fabric and the rhythmic pattern of its bold texture.
90% new wool 10% nylon - 100,000 Martindale
Coda 2 combines a graphic, textured surface and sophisticated colors to very lively effect: from a distance it appears monochrome, but when seen from closer up it reveals a second color. Made from wool, Coda is woven in two layers, with each in a different color: it is the hue of the base layer that is surprisingly revealed as the viewer approaches the textile. This distinctive construction also serves to accentuate the three-dimensional character of the fabric and the rhythmic pattern of its bold texture.
divina 3 - HOFJ (F4)
Design, Finn Sködt for Kvadrat
100% new wool - 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
100% new wool - 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
divina melange 3 - HOFJ (F4)
Design, Finn Sködt for Kvadrat
100% new wool - 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. this milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
100% new wool - 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. this milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
divina MD - HOFJ (F4)
Design, Finn Sködt for Kvadrat
100% new wool - 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
100% new wool - 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
elle - HOFJ (F4)
Sahco
25% cotton, 20% viscose, 20% polyacrylic, 20% new wool, 15% nylon - 70,000 Martindale
A curled bouclé fabric, Elle drapes and curves around furniture like an elegant designer coat. The spun bouclé yarn created by blending wool, viscose and acrylic gives the surface a soft tactility. During the subsequent dying the yarns take the color differently, creating captivating shifts within the same tones. This effect and a slight sheen from the acrylic blend bring life to the voluminous textured bouclé surface. Elegant neutrals range from oyster, coffee, pearl white, light ivory and caramel to cactus green, concrete grey, nutmeg, mud brown and ink. Taking cues from fashion, brighter contrast colors are sunset orange, rust, plum and aqua.
25% cotton, 20% viscose, 20% polyacrylic, 20% new wool, 15% nylon - 70,000 Martindale
A curled bouclé fabric, Elle drapes and curves around furniture like an elegant designer coat. The spun bouclé yarn created by blending wool, viscose and acrylic gives the surface a soft tactility. During the subsequent dying the yarns take the color differently, creating captivating shifts within the same tones. This effect and a slight sheen from the acrylic blend bring life to the voluminous textured bouclé surface. Elegant neutrals range from oyster, coffee, pearl white, light ivory and caramel to cactus green, concrete grey, nutmeg, mud brown and ink. Taking cues from fashion, brighter contrast colors are sunset orange, rust, plum and aqua.
fuse - HOFJ (F4)
Design, Raf Simmons for Kvadrat
65% new wool, worsted, 23% cotton, 8% viscose, 4% nylon - 100,000 Martindale
The densely woven wool and cotton blend of Fuse creates a close pattern of ribbed stripes in which the weave creates rows of stitch-like patterning. Because the stripes of Fuse are fragmented rather than solid, the two colors in the textile meld, creating a subtle mid color when seen across a larger surface. This fusing of the colors mellows even apparently sharp combinations such as the autumnal orange on charcoal, or a zesty yellow on beige. It also brings complexity to combinations of forest greens or cream tones. The lighter colorways may include foreign fibers adding to its richness and vibrancy. While the color palette of Fuse relates strongly to those of Pulsar and Reflex, the almost blended colors of this stripe design allow for particularly rich color associations when used in combination with other textiles in the collection.
65% new wool, worsted, 23% cotton, 8% viscose, 4% nylon - 100,000 Martindale
The densely woven wool and cotton blend of Fuse creates a close pattern of ribbed stripes in which the weave creates rows of stitch-like patterning. Because the stripes of Fuse are fragmented rather than solid, the two colors in the textile meld, creating a subtle mid color when seen across a larger surface. This fusing of the colors mellows even apparently sharp combinations such as the autumnal orange on charcoal, or a zesty yellow on beige. It also brings complexity to combinations of forest greens or cream tones. The lighter colorways may include foreign fibers adding to its richness and vibrancy. While the color palette of Fuse relates strongly to those of Pulsar and Reflex, the almost blended colors of this stripe design allow for particularly rich color associations when used in combination with other textiles in the collection.
gentle 2 - HOFJ (F4)
Design, Febrik for Kvadrat
60% new wool, 20% nylon, 20% polyester - 90,000 Martindale
Gentle 2 is the only knitted stretch velvet upholstery textile on the market. Designed by Febrik, it comes in a refreshed color scale and combines an inviting presence with a sumptuous, soft pile. The textile is constructed by knitting loops through a base layer and subsequently shearing the surface. Thanks to a subtly striated surface which derives from the naturally irregular thicknesses of the woollen yarns, Gentle 2 features a rich surface with an elegant shine. Gentle 2 has a particularly opulent feel as it is laminated onto a 2mm thick base foam. This ensures the textile stands out with a voluminous expression that sets it apart from traditional woven velvets.
60% new wool, 20% nylon, 20% polyester - 90,000 Martindale
Gentle 2 is the only knitted stretch velvet upholstery textile on the market. Designed by Febrik, it comes in a refreshed color scale and combines an inviting presence with a sumptuous, soft pile. The textile is constructed by knitting loops through a base layer and subsequently shearing the surface. Thanks to a subtly striated surface which derives from the naturally irregular thicknesses of the woollen yarns, Gentle 2 features a rich surface with an elegant shine. Gentle 2 has a particularly opulent feel as it is laminated onto a 2mm thick base foam. This ensures the textile stands out with a voluminous expression that sets it apart from traditional woven velvets.
helia - HOFJ (F4)
Design, Raf Simmons for Kvadrat
47% new wool, worsted, 32% polyacrylic, 15% viscose, 4% nylon, 2% polyester - 35,000 Martindale
Constructed to resemble the texture and sheen of Astrakhan, Helia is a bouclé textile with an organic, structured design that swirls across the surface. The fabric is a woven interpretation of the fur and the result of extensive research into the qualities of fur, combining both a luxurious appearance and an extremely soft handle.
47% new wool, worsted, 32% polyacrylic, 15% viscose, 4% nylon, 2% polyester - 35,000 Martindale
Constructed to resemble the texture and sheen of Astrakhan, Helia is a bouclé textile with an organic, structured design that swirls across the surface. The fabric is a woven interpretation of the fur and the result of extensive research into the qualities of fur, combining both a luxurious appearance and an extremely soft handle.
karakorum - HOFJ (F4)
Dedar Textiles
42% wool, 33% viscose, 24% cotton, 1% nylon - 40,000 Martindale
Inspired by the look and feel of astrakhan furs, this bouclé by Dedar intertwines wool and viscose to give a rich and indulgent fabric that is soft and bulky to the touch. The texture of loops and curls makes Karakorum ideal for curvaceous sofas and chairs, and is designed to handle intensive daily use with ease.
42% wool, 33% viscose, 24% cotton, 1% nylon - 40,000 Martindale
Inspired by the look and feel of astrakhan furs, this bouclé by Dedar intertwines wool and viscose to give a rich and indulgent fabric that is soft and bulky to the touch. The texture of loops and curls makes Karakorum ideal for curvaceous sofas and chairs, and is designed to handle intensive daily use with ease.
safire - HOFJ (F4)
Sahco
43% viscose, 17% polyacrylic, 15% new wool, 9% cotton, 8% linen, 8% polyester - 44,000 Martindale
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. The color palette includes both quiet natural shades and strong, bold combinations.
43% viscose, 17% polyacrylic, 15% new wool, 9% cotton, 8% linen, 8% polyester - 44,000 Martindale
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. The color palette includes both quiet natural shades and strong, bold combinations.
sonar 3 - HOFJ (F4)
Design, Raf Simmons for Kvadrat
59% new wool 25% viscose 9% linen 5% nylon 2% polyester - 20,000 Martindale
Based on the fine suiting tweeds used in high fashion garments, Sonar 3 presents a complex and sophisticated mixture of colors and texture. The textile’s dominant tones are tempered by the inclusion of complementary and contrasting colors to produce a subtle and elegant overall effect. Inspired by the distinctive combinations of color associated with 1950s cinema, fashion and interiors, tobacco browns come spiked with polar white and duck egg blue; three tones of grey are lifted by soft white laced with thin threads of buttercup yellow and black. Powdery greens, blues and pinks take on an added dimension with fine threads of black, white and red.
59% new wool 25% viscose 9% linen 5% nylon 2% polyester - 20,000 Martindale
Based on the fine suiting tweeds used in high fashion garments, Sonar 3 presents a complex and sophisticated mixture of colors and texture. The textile’s dominant tones are tempered by the inclusion of complementary and contrasting colors to produce a subtle and elegant overall effect. Inspired by the distinctive combinations of color associated with 1950s cinema, fashion and interiors, tobacco browns come spiked with polar white and duck egg blue; three tones of grey are lifted by soft white laced with thin threads of buttercup yellow and black. Powdery greens, blues and pinks take on an added dimension with fine threads of black, white and red.
steelcut 3 - HOFJ (F4)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon - 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
90% worsted new wool, 10% nylon - 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
steelcut trio 3 - HOFJ (F4)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon - 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
90% worsted new wool, 10% nylon - 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
tablu - HOFJ (F4)
Sahco
67% new wool 12% viscose 12% linen 6% polyester 3% nylon - 50,000 Martindale
An animal jacquard for keeps, Tablu is a rare beast. Execution and depth are key characteristics of this high quality woollen textile, a take on much-loved zebra and leopard patterns made to last and last. Colors are classic zebra, coral red, charcoal, rust, deep brown, lavender, turmeric, salt and pepper and sand.
67% new wool 12% viscose 12% linen 6% polyester 3% nylon - 50,000 Martindale
An animal jacquard for keeps, Tablu is a rare beast. Execution and depth are key characteristics of this high quality woollen textile, a take on much-loved zebra and leopard patterns made to last and last. Colors are classic zebra, coral red, charcoal, rust, deep brown, lavender, turmeric, salt and pepper and sand.
zero - HOFJ (F4)
Design, Sahco for Kvadrat
65% cotton, 20% polyacrylic, 15% polyester - 70,000 Martindale
The influence of Parisian couture clothing can be seen in this elegant and irregular bouclé upholstery textile. The pearl effect yarn is used in both warp and weft giving a luxurious handle and a sophisticated appearance. The colorways range from tonal through to contrasting ‘salt and pepper’ combinations.
65% cotton, 20% polyacrylic, 15% polyester - 70,000 Martindale
The influence of Parisian couture clothing can be seen in this elegant and irregular bouclé upholstery textile. The pearl effect yarn is used in both warp and weft giving a luxurious handle and a sophisticated appearance. The colorways range from tonal through to contrasting ‘salt and pepper’ combinations.
nevada leather - HOFJ (L2)
CAMO Leathers
Aniline-dyed hide
Nevada is an elegant, smooth aniline leather. Nevada is suitable for upholstery of furniture and surfaces for private homes and for exclusive hotels, bars, and other public areas. Nevada is produced on South German bull hides, and the article is offered in beautiful and classic international colors. Insect bites, healed wounds and other "nature marks" will occur and emphasize that Nevada is a natural product of high class.
Aniline-dyed hide
Nevada is an elegant, smooth aniline leather. Nevada is suitable for upholstery of furniture and surfaces for private homes and for exclusive hotels, bars, and other public areas. Nevada is produced on South German bull hides, and the article is offered in beautiful and classic international colors. Insect bites, healed wounds and other "nature marks" will occur and emphasize that Nevada is a natural product of high class.
cervo leather - HOFJ (L3)
Stolz Leather
Aniline-dyed hide
Very soft, warm leather with a beautiful visible grain structure and great seating comfort. Open grain structure that develops a natural patina over time. Full grain aniline leather from Scandinavian bull hides, chrome tanned. Natural surface with no or very light surface coating. Very exclusive selection with only a small amount of natural markings. Semi water and dirt repellent.
Aniline-dyed hide
Very soft, warm leather with a beautiful visible grain structure and great seating comfort. Open grain structure that develops a natural patina over time. Full grain aniline leather from Scandinavian bull hides, chrome tanned. Natural surface with no or very light surface coating. Very exclusive selection with only a small amount of natural markings. Semi water and dirt repellent.
nohr leather - HOFJ (L3)
Nordic Spoors
Aniline-dyed hide
Nohr is crafted from high-end, traceable Scandinavian hides. This leather features a soft surface with a beautiful natural grain and a silky feel to the touch. Each piece is unique and will develop a rich patina over time, adding to its beauty and individuality. The open, natural pores of this leather make it breathable, ensuring high seating comfort, which makes it perfect for everyday use. Nohr is for those wanting a comfortable, high end leather option with a natural look and silky feel.
Aniline-dyed hide
Nohr is crafted from high-end, traceable Scandinavian hides. This leather features a soft surface with a beautiful natural grain and a silky feel to the touch. Each piece is unique and will develop a rich patina over time, adding to its beauty and individuality. The open, natural pores of this leather make it breathable, ensuring high seating comfort, which makes it perfect for everyday use. Nohr is for those wanting a comfortable, high end leather option with a natural look and silky feel.
elegance leather - HOFJ (L4)
Sørensen Leather
Aniline-dyed hide
The ultimate in exclusivity, Elegance is the kind of leather that makes a room come alive. Firm yet flexible with visible, natural markings, it’s an Aniline leather with richness and smoothness and a must-have favorite of those in the know. Considered one of the classics of all classics. It is, without a doubt, a luxurious leather with substance and soul. Four specially-selected colors capture the intrinsic integrity of Elegance and, at the same time, enhance its appeal. Each hide is truly unique in terms of the hue and the surface itself. Watch the change in tones with exposure to light and use.
Aniline-dyed hide
The ultimate in exclusivity, Elegance is the kind of leather that makes a room come alive. Firm yet flexible with visible, natural markings, it’s an Aniline leather with richness and smoothness and a must-have favorite of those in the know. Considered one of the classics of all classics. It is, without a doubt, a luxurious leather with substance and soul. Four specially-selected colors capture the intrinsic integrity of Elegance and, at the same time, enhance its appeal. Each hide is truly unique in terms of the hue and the surface itself. Watch the change in tones with exposure to light and use.
origin leather - HOFJ (L4)
Nordic Spoors
Aniline-dyed hide
Origin is a top-quality leather, crafted from the finest selection of traceable Danish hides. This leather offers a natural look and feel, with the original grain of the hide being visible. The aniline process preserves the natural characteristics of the hide, making each piece truly unique. Furthermore, it will develop a rich patina over time, adding to its individuality and telling a story. The leather has a soft, almost spongy surface, ensuring a high level of comfort. Origin is the perfect option for those seeking a stunning, natural leather of the utmost quality. Origin is chromefree, compostable and biodegradable.
Aniline-dyed hide
Origin is a top-quality leather, crafted from the finest selection of traceable Danish hides. This leather offers a natural look and feel, with the original grain of the hide being visible. The aniline process preserves the natural characteristics of the hide, making each piece truly unique. Furthermore, it will develop a rich patina over time, adding to its individuality and telling a story. The leather has a soft, almost spongy surface, ensuring a high level of comfort. Origin is the perfect option for those seeking a stunning, natural leather of the utmost quality. Origin is chromefree, compostable and biodegradable.
vegetal leather - HOFJ (L4)
Stolz Leather
Aniline-dyed hide
This classic vegetable-tanned leather will develop the best patina over time because it absorbs light and air. The uncolored vegetable-tanned leather will develop a patina from light sand color to cognac. Vegetable-tanned leather is susceptible to water and stains, which contributes to the natural patina and makes this leather extremely luxurious.
Aniline-dyed hide
This classic vegetable-tanned leather will develop the best patina over time because it absorbs light and air. The uncolored vegetable-tanned leather will develop a patina from light sand color to cognac. Vegetable-tanned leather is susceptible to water and stains, which contributes to the natural patina and makes this leather extremely luxurious.
velvet leather - HOFJ (L4)
Stolz Leather
Aniline-dyed hide
Velvet is a nubuck leather with a warm and charming look. The aniline hide has a velvety, soft, luxurious touch and has been slightly sanded to obtain a matte effect. Small variations in color may occur.
Aniline-dyed hide
Velvet is a nubuck leather with a warm and charming look. The aniline hide has a velvety, soft, luxurious touch and has been slightly sanded to obtain a matte effect. Small variations in color may occur.
vita leather - HOFJ (L4)
Sørensen Leather
Aniline-dyed hide
Vita is an exclusive and supremely soft aniline leather certified by Animal Protection Denmark, as the only one in the industry with this label. This leather can be traced back to the exact animal and where it lived due to a laser engraved number. This leather collection is developed in close collaboration with Himmerlandskød. The rawhides come from the finest cattle from their project Nordjysk Naturkød, where the cows pasture on North Jutland in Denmark. Through upcycling, the raw hides are upgraded into genuine high-quality leather, only available in a limited amount of hides.
Aniline-dyed hide
Vita is an exclusive and supremely soft aniline leather certified by Animal Protection Denmark, as the only one in the industry with this label. This leather can be traced back to the exact animal and where it lived due to a laser engraved number. This leather collection is developed in close collaboration with Himmerlandskød. The rawhides come from the finest cattle from their project Nordjysk Naturkød, where the cows pasture on North Jutland in Denmark. Through upcycling, the raw hides are upgraded into genuine high-quality leather, only available in a limited amount of hides.
upholstery Model 57 Sofa
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