ocean - Muuto (A)
Rohleder
74% polyacrylic, 26% polyester, 30,000 Martindale
Ocean is a textile that is composed of man-made fibers with a sophisticated and tactile surface using small woven loops for a unique character. The surface is very easy to clean and maintain due to the fibers used.
74% polyacrylic, 26% polyester, 30,000 Martindale
Ocean is a textile that is composed of man-made fibers with a sophisticated and tactile surface using small woven loops for a unique character. The surface is very easy to clean and maintain due to the fibers used.
canvas - Muuto (B)
Design, Giulio Ridolfo for Kvadrat
90% new worsted wool, 10% nylon, 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colors, with six hues in every colorway. Consequently, the textile offers exceptional color richness and an intriguing expression. From a distance, it has the calm surface of a unicolored textile. But, get closer, and shimmering colour nuances, delicate contrasts and an elegant structure emerge.
90% new worsted wool, 10% nylon, 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colors, with six hues in every colorway. Consequently, the textile offers exceptional color richness and an intriguing expression. From a distance, it has the calm surface of a unicolored textile. But, get closer, and shimmering colour nuances, delicate contrasts and an elegant structure emerge.
clara 2 - Muuto (B)
Design, Anne Birgitte Hansen for Kvadrat
92% new wool worsted, 8% nylon, 80,000 Martindale
Clara is available in twelve sets of reverse colorways. One version is unicolored and interwoven with melange stitching, while the other is with unicolor stitching on a melange background. The melange yarns add depth to the look of Clara and combine to vibrant effect with the unicolor yarns. The fabric, which changes appearance according to the position of the viewer, projects a strong sense of volume and richness.
92% new wool worsted, 8% nylon, 80,000 Martindale
Clara is available in twelve sets of reverse colorways. One version is unicolored and interwoven with melange stitching, while the other is with unicolor stitching on a melange background. The melange yarns add depth to the look of Clara and combine to vibrant effect with the unicolor yarns. The fabric, which changes appearance according to the position of the viewer, projects a strong sense of volume and richness.
colline 2 - Muuto (B)
Design, Frans Dijkmeijer for Kvadrat
75% new wool worsted, 17% polyacrylic, 8% nylon, 100,000 Martindale
Colline 2 is a three-dimensional upholstery textile designed by master weaver Frans Dijkmeijer, which has an intricate structure that stands out as a relief on its surface. Simple yet complex in construction, it comes in an updated color scale created by Giulio Ridolfo. The new palette complements the textile’s dynamic yet understated expression. Giulio Ridolfo: ”Colline is a masterwork from Frans. I aimed to create a scale that ranges from clear to obscure (light to dark), and added natural, earthy blended tones to it. As the colors came out of the loom, I immediately felt comfortable and happy with them. Just like climbing a ‘colline’ on a spring day.”
75% new wool worsted, 17% polyacrylic, 8% nylon, 100,000 Martindale
Colline 2 is a three-dimensional upholstery textile designed by master weaver Frans Dijkmeijer, which has an intricate structure that stands out as a relief on its surface. Simple yet complex in construction, it comes in an updated color scale created by Giulio Ridolfo. The new palette complements the textile’s dynamic yet understated expression. Giulio Ridolfo: ”Colline is a masterwork from Frans. I aimed to create a scale that ranges from clear to obscure (light to dark), and added natural, earthy blended tones to it. As the colors came out of the loom, I immediately felt comfortable and happy with them. Just like climbing a ‘colline’ on a spring day.”
fiord 2 - Muuto (B)
Design, Sigvardt & Barnung for Kvadrat
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colours created in collaboration with Louise Sigvardt. The construction of Fiord combines a mélange yarn with a unicoloured yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by Norwegian designer Tone Barnung, it comes in refreshed colours created in collaboration with Louise Sigvardt. The construction of Fiord combines a mélange yarn with a unicoloured yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
re-wool - Muuto (B)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colorful stitchings on a darker background, Re-wool features exceptional depth of color, creating a dynamic play on the textile’s surface when applied to furniture.
sabi - Muuto (B)
Design, Louise Sigvardt for Kvadrat
65% new wool worsted, 23% recycled wool, 12% nylon, 80,000 Martindale
Sabi is a multidimensional woolen upholstery textile, which explores layers and bright color paradigms. Designed by Louise Sigvardt, it is crafted, in part, with recycled wool from the yarn spinner Wooltex in the United Kingdom. One of the colored yarns for Sabi are made of virgin wool, while the other is recycled wool dyed in darker tones. This approach ensures the textile’s dynamic color palette, which features a classic dobby weave construction. The recycled wool used to create Sabi comes from re-using scraps that otherwise would have been waste.
65% new wool worsted, 23% recycled wool, 12% nylon, 80,000 Martindale
Sabi is a multidimensional woolen upholstery textile, which explores layers and bright color paradigms. Designed by Louise Sigvardt, it is crafted, in part, with recycled wool from the yarn spinner Wooltex in the United Kingdom. One of the colored yarns for Sabi are made of virgin wool, while the other is recycled wool dyed in darker tones. This approach ensures the textile’s dynamic color palette, which features a classic dobby weave construction. The recycled wool used to create Sabi comes from re-using scraps that otherwise would have been waste.
steelcut 2 - Muuto (B)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut 2 is a hardwearing upholstery textile, which is an evolution of Steelcut in an additional color scale. It is designed by Frans Dijkmeijer and colored by Giulio Ridolfo. The fabric features an innovative weave, which creates a three-dimensional surface resembling small pyramids or steel points. This gives Steelcut 2 a simple, precise expression, despite the complex weaving technique used in its production.
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut 2 is a hardwearing upholstery textile, which is an evolution of Steelcut in an additional color scale. It is designed by Frans Dijkmeijer and colored by Giulio Ridolfo. The fabric features an innovative weave, which creates a three-dimensional surface resembling small pyramids or steel points. This gives Steelcut 2 a simple, precise expression, despite the complex weaving technique used in its production.
steelcut trio 3 - Muuto (B)
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as Steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of Steelcut Trio resembles small pyramids or steel points. Despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as Steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of Steelcut Trio resembles small pyramids or steel points. Despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
hallingdal 65 - Muuto (C)
Design, Nana Ditzel for Kvadrat
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. Both materials are dyed before they are spun, which highlights the rich texture of the fabric.
divina 3 - Muuto (E)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
100% new wool, 45,000 Martindale
Divina is a full-cloth product, which means that it is manufactured by weaving the yarn in a coarse linen hose casing, after which, it is subjected to mechanical processing using very high temperatures, at the same time as it is being colored. This creates a situation where the surface becomes smooth, directionless and uniform in a manner very similar to the properties of felt.
divina MD - Muuto (E)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
100% new wool, 45,000 Martindale
Divina MD is an upholstery textile designed by Finn Sködt. Available in sophisticated, rich colors, which reveal hidden depths as the perspective of the viewer changes, it makes a strong color statement. In addition, thanks to its smooth, directionless and consistent surface, it complements the shape of furniture very well and is ideal for organically shaped furniture. Divina MD’s full-bodied and subtle structure is ideal for bringing an extensive range of tones to life. Its colorways, which are all crafted from a blend of different tones, appear unicolored from a distance, but reveal different color nuances under closer examination.
divina melange 3 - Muuto (E)
Design, Finn Sködt for Kvadrat
100% new wool, 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. Compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. This milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
100% new wool, 45,000 Martindale
Divina Melange 3 is a vibrant piece-dyed woollen upholstery textile reminiscent of felt. Cheerfully simple, it comes in a fresh, versatile palette by artist and designer Finn Sködt. Compact, comfortable and extremely smooth, Divina Melange 3 expresses colors and the shape of furniture particularly well. It is constructed by weaving the yarn in a simple binding after which it is subjected to pressure and high temperatures. This milling process, which is often associated with fine tailoring, transforms the material from coarse to a soft and uniform, felt-like surface. Produced by piece-dyeing a dark or light grey melange, the textile’s color palette perfectly reflects Finn Sködt’s pure aesthetic. The new color scale combines signature nuances, such as hot pink, forest green and Finn Sködt’s favorite ultramarine, together with chalky notes and neutral shades.
planum - Muuto (E)
Design, Raw Color for Kvadrat
44% new wool, 42% polyester, 14% nylon, 100,000 Martindale
Planum is a knitted upholstery textile with a refined woven expression and a smooth, soft surface. It comes in curiosity-inspiring colors crafted by Dutch Design Studio Raw Color. Characterized by a subtle matte luster and a natural, dry handle, the knitted textile is constructed using a simple double-knit with a predominantly woollen surface. To create the versatile color scale for Planum, Raw Color took a collection of three-dimensional objects as a starting point. The studio explored diverse directions and shades before making a final selection of 20 tones from 350 hand-painted samples. Raw Color: “We decided to develop the color palette based on hand-painted swatches. This enabled us to create shades that are less expected and uncommon.” Naturally for a knitted textile, Planum features excellent stretchability, making it ideal for upholstering organic forms while minimizing the number of seams.
44% new wool, 42% polyester, 14% nylon, 100,000 Martindale
Planum is a knitted upholstery textile with a refined woven expression and a smooth, soft surface. It comes in curiosity-inspiring colors crafted by Dutch Design Studio Raw Color. Characterized by a subtle matte luster and a natural, dry handle, the knitted textile is constructed using a simple double-knit with a predominantly woollen surface. To create the versatile color scale for Planum, Raw Color took a collection of three-dimensional objects as a starting point. The studio explored diverse directions and shades before making a final selection of 20 tones from 350 hand-painted samples. Raw Color: “We decided to develop the color palette based on hand-painted swatches. This enabled us to create shades that are less expected and uncommon.” Naturally for a knitted textile, Planum features excellent stretchability, making it ideal for upholstering organic forms while minimizing the number of seams.
twill weave - Muuto (E)
Design, Jonathan Olivares for Kvadrat
90% new wool worsted 10% nylon, 60,000 Martindale
Twill Weave brings a contemporary interpretation to the classic woollen twill upholstery textile. It is crafted by American designer Jonathan Olivares. Twill Weave derives its full-bodied structure from thick, voluminous woollen yarns. It is constructed with a traditional twill binding, using meticulous production processes to ensure exceptional color precision. Each colorway for Twill Weave units two tone-in-tone colors – one in the warp, the other in the weft. These combine to accurately reflect the actual colors of minerals, metals and ceramics from Harvard University’s extensive Materials Collection.
90% new wool worsted 10% nylon, 60,000 Martindale
Twill Weave brings a contemporary interpretation to the classic woollen twill upholstery textile. It is crafted by American designer Jonathan Olivares. Twill Weave derives its full-bodied structure from thick, voluminous woollen yarns. It is constructed with a traditional twill binding, using meticulous production processes to ensure exceptional color precision. Each colorway for Twill Weave units two tone-in-tone colors – one in the warp, the other in the weft. These combine to accurately reflect the actual colors of minerals, metals and ceramics from Harvard University’s extensive Materials Collection.
vidar 4 - Muuto (E)
Design, Fanny Aronsen & Raf Simons for Kvadrat
94% new wool, 6% nylon, 100,000 Martindale
Originally designed by Fanny Aronsen, Vidar has been re-colored by Raf Simons, with shades ranging from moss green, dark aubergine, ruby red and midnight blue through to brick and earth tones, and easy neutrals. The gentle satin surface finish of the weave contrasts with the deep shadowy tones in the depths, giving a multifaceted richness to the intense colors in the range. Tightly woven, without the irregularities of the other bouclé fabrics within this collection, Vidar has an inviting texture, which variously recalls blackberries, orange peel or the comforting close-knit texture of a favorite sweater.
94% new wool, 6% nylon, 100,000 Martindale
Originally designed by Fanny Aronsen, Vidar has been re-colored by Raf Simons, with shades ranging from moss green, dark aubergine, ruby red and midnight blue through to brick and earth tones, and easy neutrals. The gentle satin surface finish of the weave contrasts with the deep shadowy tones in the depths, giving a multifaceted richness to the intense colors in the range. Tightly woven, without the irregularities of the other bouclé fabrics within this collection, Vidar has an inviting texture, which variously recalls blackberries, orange peel or the comforting close-knit texture of a favorite sweater.
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