christianshavn - Fritz Hansen (0)
Fritz Hansen
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
belfast - Fritz Hansen (1)
harald 3 - Fritz Hansen (2)
Design, Fanny Aronsen & Raf Simons for Kvadrat
100% cotton, 100,000 Martindale
A closely-woven, very short-pile velour, Harald brings the fresh, soft texture of cotton to a directionless velvety textile. The intense color offered by this matte velour places the focus strongly onto the silhouette of the upholstered object, emphasizing its shape and contours. Originally designed by Fanny Aronsen, Harald comes in a new color palette conceived by Raf Simons offering a particularly large selection of vivid keynote tones, including primrose yellow, burnt orange, raspberry, lavender, aubergine and dark mint green, alongside more natural tones. Harald is a durable fabric suitable for use as curtains as well as in upholstery.
100% cotton, 100,000 Martindale
A closely-woven, very short-pile velour, Harald brings the fresh, soft texture of cotton to a directionless velvety textile. The intense color offered by this matte velour places the focus strongly onto the silhouette of the upholstered object, emphasizing its shape and contours. Originally designed by Fanny Aronsen, Harald comes in a new color palette conceived by Raf Simons offering a particularly large selection of vivid keynote tones, including primrose yellow, burnt orange, raspberry, lavender, aubergine and dark mint green, alongside more natural tones. Harald is a durable fabric suitable for use as curtains as well as in upholstery.
hallingdal 65 - Fritz Hansen (2)
Design, Nana Ditzel for Kvadrat
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
re-wool - Fritz Hansen (2)
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon, 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
essential leather - Fritz Hansen (3)
Lightly buffed for a fine grain finish, Essential has a smooth, uniform appearance and a soft handle. This easy-to-maintain, stain-resistant leather has a high level of colorfastness, making it ideal for use on everyday furniture.
ria - Fritz Hansen (4)
Design, Raf Simons for Kvadrat
84% new wool (worsted), 12% viscose, 4% nylon, 50,000 Martindale
The use of color in Ria takes inspiration from Pointillism, the painterly technique through which vibrant fields of color are built up through the application of pure pigment in precise, individual dots. Each of Ria’s colorways brings together three tones of yarn. The base of the textile is made up of a thinner, single toned yarn, through which are woven two colors of thicker yarn to create a subtly textured dotting of color across the surface. Softer colorways include a duck egg blue ground with tones of primrose and golden yellow; stone with winter white and lavender; and natural wool with dusty pink and pine green. Similar tones play out across darker variations of Ria, which are woven with a charcoal base. Bolder versions of both paler and darker colorways incorporate yarns in a true orange and cobalt blue.
84% new wool (worsted), 12% viscose, 4% nylon, 50,000 Martindale
The use of color in Ria takes inspiration from Pointillism, the painterly technique through which vibrant fields of color are built up through the application of pure pigment in precise, individual dots. Each of Ria’s colorways brings together three tones of yarn. The base of the textile is made up of a thinner, single toned yarn, through which are woven two colors of thicker yarn to create a subtly textured dotting of color across the surface. Softer colorways include a duck egg blue ground with tones of primrose and golden yellow; stone with winter white and lavender; and natural wool with dusty pink and pine green. Similar tones play out across darker variations of Ria, which are woven with a charcoal base. Bolder versions of both paler and darker colorways incorporate yarns in a true orange and cobalt blue.
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