christianshavn
Fritz Hansen
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
85% wool, 15% polyamid, 200,000 Martindale
A timeless, wool mix fabric designed by Fritz Hansen. It offers an immense variety in both unicolour and melange weave. It has superior comfort due to the wool mix and its high durability. Christianshavn can be used in private interiors as well as public areas.
canvas 2
Design, Giulio Ridolfo for Kvadrat
90% new worsted wool, 10% nylon, 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colours, with six hues in every colourway. Consequently, the textile offers exceptional colour richness and an intriguing expression. From a distance, it has the calm surface of a unicoloured textile. But, get closer, and shimmering colour nuances, delicate contrasts and an elegant structure emerge.
90% new worsted wool, 10% nylon, 100,000 Martindale
Canvas is a vibrant woollen upholstery textile created by Giulio Ridolfo. Particularly well-suited to large surfaces thanks to its pronounced structure, it features a soft weave and an expanded palette inspired by the landscapes of Skagen, Denmark. The melange yarn used to craft Canvas combines three colours, with six hues in every colourway. Consequently, the textile offers exceptional colour richness and an intriguing expression. From a distance, it has the calm surface of a unicoloured textile. But, get closer, and shimmering colour nuances, delicate contrasts and an elegant structure emerge.
fame
Design, Mette Mikkelsen for Gabriel
95% new zealand wool, 5% polyamide, 200,000 Martindale
Fame is a unique woollen upholstery fabric with a very high wearability, but which is nevertheless extra soft and stretchable. The fabric is silky smooth thanks to its exclusive fine woollen worsted, a finer wool than is generally seen on the contract market, but assured of outstanding durability via new yarn structures and spinning methods. Fame possesses unique upholstering properties. The fabric stretches 9.5% in both directions. Perfect upholstering is therefore easier with Fame, even on furniture with round and organic forms.
95% new zealand wool, 5% polyamide, 200,000 Martindale
Fame is a unique woollen upholstery fabric with a very high wearability, but which is nevertheless extra soft and stretchable. The fabric is silky smooth thanks to its exclusive fine woollen worsted, a finer wool than is generally seen on the contract market, but assured of outstanding durability via new yarn structures and spinning methods. Fame possesses unique upholstering properties. The fabric stretches 9.5% in both directions. Perfect upholstering is therefore easier with Fame, even on furniture with round and organic forms.
tonus 4
Design, Nina Koppel for Kvadrat
90% new wool, 10% helanca, 100,000 martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
90% new wool, 10% helanca, 100,000 martindale
Tonus 4 is a color update of Tonus, an elastic upholstery fabric by late textile artist Nina Koppel. Ideal for modern organic furniture and characterized by rare color richness, it comes in a total of 47 hues, of which 19 are new. Now recognized as a classic textile, Tonus brings colors to life in vibrant, precise fashion. Building on this characteristic, the intensity and brightness of all the colors have been increased.
re-wool 2
Design, Margrethe Odgaard for Kvadrat
45% recycled wool, 45% new wool worsted, 10% nylon - 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
45% recycled wool, 45% new wool worsted, 10% nylon - 100,000 Martindale
Crafted using 45% recycled wool, Re-wool is a rich upholstery textile with a sustainable profile. The textile is partly made by reusing scraps from Kvadrat’s yarn spinners in the UK. ‘The idea was to create a both honest and environmentally friendly – textile with a poetic feel by recycling leftover material from Kvadrat’s own production’, explains Margrethe Odgaard. Reminiscent of colourful stitchings on a darker background, Re-wool features exceptional depth of colour, creating a dynamic play on the textile’s surface when applied to furniture.
karakorum
Dedar Textiles
42% wool, 33% viscose, 24% cotton, 1% nylon, 40,000 Martindale
Inspired by the look and feel of astrakhan furs, this bouclé by Dedar intertwines wool and viscose to give a rich and indulgent fabric that is soft and bulky to the touch. The texture of loops and curls makes Karakorum ideal for curvaceous sofas and chairs, and is designed to handle intensive daily use with ease.
42% wool, 33% viscose, 24% cotton, 1% nylon, 40,000 Martindale
Inspired by the look and feel of astrakhan furs, this bouclé by Dedar intertwines wool and viscose to give a rich and indulgent fabric that is soft and bulky to the touch. The texture of loops and curls makes Karakorum ideal for curvaceous sofas and chairs, and is designed to handle intensive daily use with ease.
moss
Design, Vincent van Duysen and Anna Vilhelmine Ebbesen for Sahco
52% cotton, 22% viscose, 14% polyacrylic, 6% linen, 3% polyester, 3% nylon - 50,000 Martindale
The second design by Vincent van Duysen and Anna Vilhelmine Ebbesen is the distinctive upholstery fabric Moss. The mixture of twisted yarn and chenille gives the fabric surface a textured structure with an appearance of movement, and also creates a soft handle which adds a special dimension to the furniture it covers. The twenty-two colorways are either one- or two-tone combinations inspired by Vincent van Duysen’s own home and range from cool cement and soft blue to oily green, curry yellow and the shades of natural wood.
52% cotton, 22% viscose, 14% polyacrylic, 6% linen, 3% polyester, 3% nylon - 50,000 Martindale
The second design by Vincent van Duysen and Anna Vilhelmine Ebbesen is the distinctive upholstery fabric Moss. The mixture of twisted yarn and chenille gives the fabric surface a textured structure with an appearance of movement, and also creates a soft handle which adds a special dimension to the furniture it covers. The twenty-two colorways are either one- or two-tone combinations inspired by Vincent van Duysen’s own home and range from cool cement and soft blue to oily green, curry yellow and the shades of natural wood.
vidar 4
Design, Fanny Aronsen & Raf Simons for Kvadrat Textiles
94% new wool, 6% nylon - 100,000 Martindale
Welcoming, sensuous and high performing, this tightly-woven and evenly-distributed woolen bouclé designed by Fanny Aronsen for Kvadrat has a stunning color palette to offer that have been reimagined by Raf Simons. Vidar’s gentle, satin-like surface is contrasted by deep undertones, achieving richness and intensity from the nature-inspired colors. With a softness that contrasts its durability and a manifold of shades to choose from, Vidar is interior designers’ first choice in many professional settings.
94% new wool, 6% nylon - 100,000 Martindale
Welcoming, sensuous and high performing, this tightly-woven and evenly-distributed woolen bouclé designed by Fanny Aronsen for Kvadrat has a stunning color palette to offer that have been reimagined by Raf Simons. Vidar’s gentle, satin-like surface is contrasted by deep undertones, achieving richness and intensity from the nature-inspired colors. With a softness that contrasts its durability and a manifold of shades to choose from, Vidar is interior designers’ first choice in many professional settings.
fiord 2
Design, Sigvardt & Barnung for Kvadrat
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by norwegian designer tone barnung, it comes in refreshed colors created in collaboration with louise sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
92% new worsted wool, 8% nylon, 60,000 Martindale.
Fiord is a versatile woollen upholstery textile with a subtle three-dimensional look. Originally designed by norwegian designer tone barnung, it comes in refreshed colors created in collaboration with louise sigvardt. The construction of fiord combines a mélange yarn with a unicolored yarn that creates pearl-like dots that play across the textile’s surface. This sophisticated expression reflects a key source of inspiration behind the design: moonlight glittering like pearls on the rippling waters of a Norwegian fjord.
hallingdal 65
Design, Nana Ditzel for Kvadrat
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
70% new wool, 30% viscose, 100,000 Martindale
Kvadrat’s first textile ‘Hallingdal’ has become the archetype of woollen textiles. The very durable upholstery fabric was originally designed in 1965 by Nanna Ditzel, and is now available in a version with an updated color scale. Hallingdal 65 is made of wool and viscose, which complement each other well: the wool provides excellent durability and flexibility, whilst the viscose adds brilliance and depth to the color. both materials are dyed before they are spun, which highlights the rich texture of the fabric.
steelcut 3
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
90% worsted new wool, 10% nylon, 100,000 Martindale
Unicolored Steelcut 3 is an evolution of the archetypal woollen upholstery textile Steelcut, which comes in bright, confident hues by color master Giulio Ridolfo. It is characterized by exceptional durability, tactility, and color depth. Steelcut 3 features an innovative, intricate construction by Frans Dijkmeijer which offers a three-dimensional surface resembling small pyramids or steel points. Despite the complex weaving technique used to craft the textile, it has a simple and precise, yet multidimensional, expression. The expansive color scale by Giulio Ridolfo explores a new way to blend deep reds, violets and greens and is inspired by still images he took on his travels in Mexico and his deep admiration of collages by Henri Matisse. It comprises a versatile selection of ‘intertones’, which combine vivid floral hues and different earthy notes to create vibrant harmonies.
steelcut trio 3
Design, Dijkmeijer & Ridolfo for Kvadrat
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
90% worsted new wool, 10% nylon, 100,000 Martindale
Steelcut Trio is a hardwearing woollen upholstery textile with the same construction as steelcut. Originally designed by Frans Dijkmeijer, it comes in updated colorways crafted by Giulio Ridolfo. The three-dimensional surface of steelcut trio resembles small pyramids or steel points. despite the complexity of the textile’s innovative weave, it has a simple, precise expression. Steelcut Trio is yarn-dyed and made from 3 differently colored yarns.
sunniva 3
Design, Raf Simons & Fanny Aronsen for Kvadrat
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester. 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
58% new wool, 25% viscose, 8% linen, 5% nylon, 4% polyester. 50,000 Martindale
Bringing a painterly use of color to the interior, Sunniva blends colors and surface textures to create a fabric that from a distance appears to be a rich, even tone, but close-to, reveals something more complex. Each colorway brings together two tones of wool, woven into a fine, tweed-like pattern which is then given a glossy sheen due to the linen-viscose yarn. Sunniva 3 is offered in thirty-five sophisticated colors. Alongside a wide selection of neutrals and basics is a warm group of soft browns and clay and brick tones as well as a cooler selection of greys and greens, ranging from light aqua to dark forest. Additional hues of pink and dark red are also included creating a palette that is grown up, masculine and elegant.
fuse
Design, Raf Simmons for Kvadrat
65% new wool, worsted, 23% cotton, 8% viscose, 4% nylon - 100,000 Martindale
The densely woven wool and cotton blend of Fuse creates a close pattern of ribbed stripes in which the weave creates rows of stitch-like patterning. Because the stripes of Fuse are fragmented rather than solid, the two colors in the textile meld, creating a subtle mid color when seen across a larger surface. This fusing of the colors mellows even apparently sharp combinations such as the autumnal orange on charcoal, or a zesty yellow on beige. It also brings complexity to combinations of forest greens or cream tones. The lighter colorways may include foreign fibers adding to its richness and vibrancy. While the color palette of Fuse relates strongly to those of Pulsar and Reflex, the almost blended colors of this stripe design allow for particularly rich color associations when used in combination with other textiles in the collection.
65% new wool, worsted, 23% cotton, 8% viscose, 4% nylon - 100,000 Martindale
The densely woven wool and cotton blend of Fuse creates a close pattern of ribbed stripes in which the weave creates rows of stitch-like patterning. Because the stripes of Fuse are fragmented rather than solid, the two colors in the textile meld, creating a subtle mid color when seen across a larger surface. This fusing of the colors mellows even apparently sharp combinations such as the autumnal orange on charcoal, or a zesty yellow on beige. It also brings complexity to combinations of forest greens or cream tones. The lighter colorways may include foreign fibers adding to its richness and vibrancy. While the color palette of Fuse relates strongly to those of Pulsar and Reflex, the almost blended colors of this stripe design allow for particularly rich color associations when used in combination with other textiles in the collection.
voulez-vous
Dedar
70% recycled cotton, 20% polyester, 10% other fibers - 20,000 Martindale
Carefree and nonchalant, the stripes of Voulez-Vous bring the colors and lively personality typical of the world of accessories to interior design. A regenerated cotton twill, rich and textured, freely reinterprets an archetypal graphic sign, ridding it of any classic excess. Its resistance to abrasion, its stability and its water-repellent treatment make this fabric ideal for upholstery applications.
70% recycled cotton, 20% polyester, 10% other fibers - 20,000 Martindale
Carefree and nonchalant, the stripes of Voulez-Vous bring the colors and lively personality typical of the world of accessories to interior design. A regenerated cotton twill, rich and textured, freely reinterprets an archetypal graphic sign, ridding it of any classic excess. Its resistance to abrasion, its stability and its water-repellent treatment make this fabric ideal for upholstery applications.
essential leather
Lightly buffed for a fine grain finish, Essential has a smooth, uniform appearance and a soft handle. This easy-to-maintain, stain-resistant leather has a high level of colorfastness, making it ideal for use on everyday furniture.
aura leather
Aura is a durable leather with a firm handle, a matte finish and a uniform look. Wrinkles and other natural marks may occur. Each hide has been treated or ‘corrected’, with a surface finish for added durability, protecting it from both light and dirt. Sanded with an artificial grain, very few natural marks are visible. As corrected leather is a durable, easy to maintain fabric with good comfort, it is a popular upholstery for furniture in high traffic areas.
grace leather
Grace is a premium, aniline leather from the finest quality hide. Displaying characterful, unique markings, it has a soft handle and an exclusive look. Its natural surface structure varies in color and acquires a lighter patina over time. Breathable and comfortable, this full grain leather adds a timeless sense of luxury to furniture designs.
natural leather
Natural is a full grain, aniline leather made from premium quality hide, less than 1% of all hides in the world can be used for this type of leather. Displaying unique, natural characteristics, it also offers a high degree of comfort, breathability and softness. Its open surface will darken over time to a beautiful, rich tone.
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