tati table lamp

tati table lamp

Design Ferruccio Laviani, 2009
PMMA, methacrylate, fabric
Made in Italy by Kartell

A rectangular table lamp characterized by its extremely clean lines, squared off in a mood vaguely reminiscent of the Deco era. Tatý's solid body of transparent polycarbonate encases an internal diffuser available in full color methacrylate, opaline and black or in a pleated fabric and has a chrome steel weight in the support. The rigour of form and material, far from making it chilly or cold, on the contrary, creates an object of bourgeois allure which will fit in anywhere while maintaining its contemporary line. Different chromatic plays of light give the effect that when turned off, Tatý reveals the full color of its surface but when turned on, the adjustable intensity of light filtering from its sides lights up its whole body.

As an architect and designer, Ferruccio Laviani works in the fields of furnishing and accessories, industrial communication, exhibition, event and show room installation. He has worked with a variety of companies worldwide. In 1992, the collaboration between Laviani and Foscarini began and it has continued since, with the research of new shapes and materials. His contemporary style is hallmarked by a particular sign or color.

Available in your choice of white, black or pleated fabric.

18.5" w | 5.9" d | 18.1" h
UL listed | requires 1x22W FC5 circolina T5 bulb

$730.00 + $22.00 shipping in the continental U.S.
(in-stock options usually ship in 3-5 days. Otherwise, please allow 8-10 weeks for delivery)

F. Laviani

Ferruccio Laviani (b. 1960) of Cremona, Italy graduated from Politecnico di Milano in architecture in 1986 and created industrial design objects, mainly lamps or lighting systems known for colored transparent plastics. From 1986-1991, he was a member of the De Lucchi studio, designing for various companies such as Credito Bergamasco, Mandarina Duck, Memphis, Olivetti, and Swatch. He came into prominence as the Memphis group began to leave its mark on International design. In 1991, he showed his silverware from the Morandotti collection at the "European Capitals of New Designö exhibition at the Centre Pompidou in Paris. The same year, he began a collaboration with Kartell and is now an artistic director and consultant.
Kartell's image and its 59 years of history are described through the company's products. The development, the corporate strategies, the attention the company has paid to technology, the project and the design can be appreciated by observing the products Kartell has produced. Kartell's products express the language and the atmosphere of the period in which they were created, but at the same time, they are "contemporary articles," they incorporate many other values and messages and this is why they have become an integral part of our domestic design world.
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