miniature tulip side chair

miniature tulip side chair

miniature tulip side chair

Design Eero Saarinen, 1955-56
1/6 miniature scale model
Made in Poland by Vitra

Each Vitra miniature is true to the original in construction and materials, and reduced in size on a scale of 1:6. Each miniature is packaged in a wooden box, accompanied by an informational booklet. Production notes: Each of the delicate objects are made by hand; on average, each miniature requires five hours of careful manual work. Ongoing quality control ensures that every miniature corresponds to its larger original in terms of finishing, details and materials.

$275.00 + free shipping in the continental U.S.
(usually ships in 3-7 days)

Eero Saarinen

Finnish-American Eero Saarinen (1910 –1961) was famous for varying his style according to the demands of the project. His father taught at the Cranbrook Academy of Art, where Eero took classes and formed relationships with fellow students Charles and Ray Eames, and Florence Knoll. Saarinen studied sculpture at the Académie de la Grande Chaumière in Paris, France, and later at the Yale School of Architecture, completing his studies in 1934. He joined the US Military, where he was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House. He founded his own office in 1950, after his father’s death. His first success, the “Tulip Chair” was produced by the Knoll company, beginning a long relationship between Knoll and Saarinen. While still working for his father, he won the design competition for the Jefferson National Expansion Memorial, in St. Louis, aka the Gateway Arch.
Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Following in the tradition of Charles & Ray Eames, who have influenced Vitra’s approach to sustainability in many ways, product longevity is central to the company’s contribution to sustainable development; short-lived styling is avoided at all costs. This can be seen most clearly in the classical pieces of furniture that have been used for decades, had several owners and have then even ended up as a part of a collection.
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